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	<title>Comments on: Love and Theft and Theft</title>
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	<link>http://brokenradiomag.com/love-and-theft-and-theft-2/</link>
	<description>A Nashville-Born American Music History Magazine</description>
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		<title>By: David Eagle</title>
		<link>http://brokenradiomag.com/love-and-theft-and-theft-2/#comment-3</link>
		<dc:creator><![CDATA[David Eagle]]></dc:creator>
		<pubDate>Wed, 25 Jan 2012 19:17:04 +0000</pubDate>
		<guid isPermaLink="false">http://brokenradiomag.com/?p=70#comment-3</guid>
		<description><![CDATA[Great piece! I agree, on all points. Except, and this is mostly nostalgia, for my knee jerk desire to defend Coldplay as innovative in crafting soundspaces. I know. It&#039;s not 2002, and 10 years on they haven&#039;t really delivered on the promise of their first album. Except maybe with their first album.

Anyway, I love the visual language used to describe your aural adventure, and your obvious passion for words. Poetry and innovation.

For a blog post, I&#039;m about to describe music I like in this way, and I wonder if you agree: a good song often feels, on first listen, like something I&#039;d been waiting to hear without realizing I was.

I see a lot of similarity in the watered down mass appeal of new music and the watered down mass appeal of new films. I wonder if corporatizing artists must, by the nature of the process, create a series of progressively blander products trying to trade on the most popular pieces from the last crop of breakout hits. A sort of Franksteins Monster of twists and tricks that become grossly uninteresting the longer, and more formulaic it becomes.]]></description>
		<content:encoded><![CDATA[<p>Great piece! I agree, on all points. Except, and this is mostly nostalgia, for my knee jerk desire to defend Coldplay as innovative in crafting soundspaces. I know. It&#8217;s not 2002, and 10 years on they haven&#8217;t really delivered on the promise of their first album. Except maybe with their first album.</p>
<p>Anyway, I love the visual language used to describe your aural adventure, and your obvious passion for words. Poetry and innovation.</p>
<p>For a blog post, I&#8217;m about to describe music I like in this way, and I wonder if you agree: a good song often feels, on first listen, like something I&#8217;d been waiting to hear without realizing I was.</p>
<p>I see a lot of similarity in the watered down mass appeal of new music and the watered down mass appeal of new films. I wonder if corporatizing artists must, by the nature of the process, create a series of progressively blander products trying to trade on the most popular pieces from the last crop of breakout hits. A sort of Franksteins Monster of twists and tricks that become grossly uninteresting the longer, and more formulaic it becomes.</p>
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		<title>By: SB</title>
		<link>http://brokenradiomag.com/love-and-theft-and-theft-2/#comment-2</link>
		<dc:creator><![CDATA[SB]]></dc:creator>
		<pubDate>Tue, 24 Jan 2012 15:42:47 +0000</pubDate>
		<guid isPermaLink="false">http://brokenradiomag.com/?p=70#comment-2</guid>
		<description><![CDATA[Hey, can you please trademark WTF? Seriously though, great article. Unfortunately it has left &quot;Where Have All the Cowboys Gone?&quot; rattling around in my head. Keep up the music crit!]]></description>
		<content:encoded><![CDATA[<p>Hey, can you please trademark WTF? Seriously though, great article. Unfortunately it has left &#8220;Where Have All the Cowboys Gone?&#8221; rattling around in my head. Keep up the music crit!</p>
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